- VUZE SETTINGS TO NOT GET CAUGHT PORTABLE
- VUZE SETTINGS TO NOT GET CAUGHT ANDROID
- VUZE SETTINGS TO NOT GET CAUGHT SERIES
- VUZE SETTINGS TO NOT GET CAUGHT DOWNLOAD
We can see obvious hot pixels on the images, but the video quality is not bad overall. We tested the camera’s performance under low-light settings. You can view the image thumbnail in the Media Gallery. You can enter the Media Gallery by touching the thumbnail icon on the left of the color bar on the bottom or through the menu button on the top-left corner.
VUZE SETTINGS TO NOT GET CAUGHT ANDROID
Notably, neither of the Android and IOs apps can do real time monitoring when shooting videos, which is still quite an inconvenient factor for users, we are looking forward to seeing the feature added. So far only the Android version supports changing the cameras’ (or a single camera’s) parameters, such as aperture, in real time. Before capturing, users can touch the left and right ends to switch between different camera views. On the screen, we can switch between photo and video shooting by sliding to left and right. In the middle of the screen is the preview of what the camera is capturing, and the two icons at the bottom refers delay controller and the switch for browsing function. On the top bar of the App, from left to right, the icons are to enter menu, check if the camera is horizontal (green when it is), change parameters, connect sides, auto/manual modes, and remaining capacity of the battery and SD card. As the we get successfully connected the blue light next to Wifi button would be on for a while, and then we can control the camera via the app. Then we opened Vuze cameraapp on our smartphone. We first need to insert the micro SD card (requires a specification higher than UHS-I to support 4K 3D footage shooting) and turn on the camera’s Wifi (Flickering blue light indicates it’s on).
VUZE SETTINGS TO NOT GET CAUGHT DOWNLOAD
Users can download the app from App store ( for IOS) or google play (for Android). The blue light starts to flicker as we press the switch button, showing that the camera starts.īecause there’s Vuze+ doesn’t have a built-in screen, we use the app Vuze Camera to remotely control the camera. The shutter button and the camera switch is on the top of the camera. Opening the protecting cover, we can see the slot for memory card, a Wi-fi swtich, and a USB port. The maximum aperture for each lens is F2.4, and it can shoot 360 3D videos with up to 4K 30FPS. Vuze+ has 4 sides, two fish eye lenses for each side to shoot stereo contents (simulating two human eyes). However, be warned that although the mild matte texture does feel comfortable when you touch it, it’s very easy to leave fingerprint on it – not gonna be friendly if you hate it. It has bull-nose edges and an elegant black appearance.
VUZE SETTINGS TO NOT GET CAUGHT PORTABLE
Judging from the appearance, the Vuze+ is actually not much different from Vuze: it looks like digital product in the 90s Sony’s portable CD player Discman. Basically, the camera comes with all the accessories that we’d expect. Unboxing TimeĪs we unbox, we could see that there’s not only the camera but also a storage box, a charger, an adapter, a USB cable, a piece of lens cleansing cloth, a small handle, and a pair of foldable VR glasses.
Now we would test the camera’s performance in a real world setting. This year, they newly launched Vuze+ at 9599 RMB in Chinese market, and it’s said to be able to achieve 4K+ 3D footage shooting and surprisingly high frame rate.
VUZE SETTINGS TO NOT GET CAUGHT SERIES
Vuze series they designed sell at as low as 6499 RMB, overcoming the barrier that 3D production cost has always been way higher than average consumers’ purchasing power, bringing 3D+ one huge step toward mass adoption.
The good news is that an Israeli-based company, Human eyes, is trying to change the situation. Therefore, 3D content shooting has never been able to reach mass adoption. Help by Director Ziren Wen, as an example, costed 5 million dollars for only a piece of 5-minute-content.
Normally, such setup would cost at least 30k dollars, and the big amount of footages would also make the post-production cost high. And so while 360-degree contents aim to capture scenes at all angles with multiple cameras, 3D+ requires at least 2 times the cameras 2D panoramic content shooting needs and 4 times the cameras regular photography needs. But there is a technological challenge: to simulate the binocular disparity between two human eyes, 3D production requires at least 2 cameras to shoot scenes at a same angle. Virtual reality that takes advantage of both stereo 3D and 360 degrees would kill it in giving audiences the immersive feel of physical presence in another real world. Meanwhile, the emergence of 360-degree contents presents us with the possibility to actually enter the scenes. From flat videos to 3D films, worlds behind the screen get more and more stereo and real in front of us.
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